Tag Archives: 1950s

The Resolution Project Season Two: Lucky Jim (1954)

“Dixon felt that, on the contrary, he had a good idea of what his article was worth from several points of view. From one of these, the thing’s worth could be expressed in one short hyphenated indecency; from another, it was worth the amount of frenzied fact-grubbing and fanatical boredom that had gone into it; from yet another, it was worthy of its aim, the removal of the ‘bad impression’ he’d so far made in the college and in his Department.” (pp. 10)

Lucky Jim cover

The Resolution Project Season Two: For my New Year’s resolution last year (2011), I decided to try and read all one hundred of the novels picked by Time Magazine as the best since their inception in 1923 to the list’s publication in 2005. I got almost halfway through. I’ve decided to bull-headedly push on through and try and finish the challenge, continuing with the same caveat as before: I’ve exempted myself from reading books I’ve already read, leaving some eighty-six or so left to go. Some spoilers may lie ahead, so be warned if you’re the type to be bothered by that. It’s not really worth getting that angry about though.

The Elevator Pitch: Jim Dixon is a young lecturer on the subject of Medieval History at a small college somewhere in the English Midlands. He’s not the best at his job, but keep in mind he also has to deal with a pedantic supervisor, students who are either sycophants or completely disinterested, a woman who engages in emotional terrorism against him and the creeping suspicion that he’s squandered his whole life away. When his supervisor’s artiste-wannabe son comes to town with his girlfriend in tow, Dixon finds himself rebelling against him and the social order of the school, as well as all the assholes that inhabit it.

What I knew about this book, its subject and its author going in: Next to nothing. I’d heard it was pretty funny, and was pleased to find out this was the case. I also had a dim memory in my mind that Kingsley Amis was related to Martin Amis.

Thoughts: Sorry again about not posting very much lately. I could continue to trot out the excuses of work and life being busy, which continue to be the case, but the real culprit here is actually a woman named Christina Stead. To my infinite misfortune, the public library in my home town was not able to get Invisible Man to me when I needed it, and I was forced to grab the next book available on my holds list, Stead’s The Man Who Loved Children. Let me tell you, this book is a slog. It is incredibly dull, lethally written and the name on the cover gets you strange looks if you read it in public places. By the point I’ve reached so far (around 100 pages in, or 1/5 of the way through), I definitely wish that it was indeed about a child molestor, as that would actually constitute a story worth maintaining any interest in whatsoever, as opposed to the warmed-over After School Special piece of crap that it actually is.

Lev Grossman and I

As I noted before in my vacation-shortened review of The Great Gatsby, Lev Grossman, half of the team who chose the books on the Time 100 list, specifically told me that he would never read this book again if he had his druthers. I’m beginning to understand why.

Anyway, I ended up ditching Stead’s crap opus as soon as my library came through on another hold. Lucky Jim was that book, and I ended up really enjoying it in the end. I’m going to space out reading The Man Who Loved Children between other, more palatable volumes, because I am one stubborn son of a bitch who’s not going to let a terrible author like CHRISTINA STEAD beat me. Bore me silly? Yes. But win? Not on your fucking life. She doesn’t deserve the pleasure. If I can make it through Blood Meridian, Infinite Jest and Gravity’s Rainbow relatively unscathed, no inexplicably lauded piece of crap like Children is going to stop me.

Lucky Jim reminded me of my student days, and reminded me that I probably wouldn’t have enjoyed continuing on to grad school quite as much as I feel I would have sometimes. Say what you will about my current employment at the comic shop, it rarely sends me into paroxysms of doubt and self-loathing the way having to deal with academics and their individual peccadilloes would have most likely done. Dixon’s dread at delivering a lecture on “Merrie England” brought me back to things I had to do back then that I absolutely hated, like learn a language, or go to my Early Modern English History class, an interesting subject which was ruined by a prof who had an incredibly irritating way of speaking and gave us twice as many papers to write than he had any right to.

Kingsley Amis does a great job of getting you into Dixon’s head, possibly to a fault. We really understand him and his struggles, but learn less about his contemporaries. They’re not super important in the grand scheme of things though. What is important is Amis’ spot on descriptions of being apocalpytically, impossibly drunk, and the aftermath thereof:

“His face was heavy, as if little bags of sand had been painlessly sewn into various parts of it, dragging the features away from the bones, if he still had bones in his face. Suddenly feeling worse, he heaved a shuddering sigh. Someone seemed to have leapt nimbly up behind him and encased him in a kind of diving-suit made of invisible cotton-wool. He gave a quiet groan; he didn’t want to feel any worse than this.” (pp. 58)

I also really liked how Amis phrased Dixon’s competition with his supervisor’s son for the girl as a sort of war. Jim, being a not super attractive man with little in the way of finances or social standing, would essentially have gotten used to fighting tooth and nail for anything he could get, and a war of attrition for a woman’s love seems perfectly in character, and very flavorful.

Scott Pilgrim leveling up

Dixon by the end of it really reminded me of a literary hero from my own homeland, that man being of course Scott Pilgrim. Both are young guys who are in desperate need of a little growing up; both have a disconnected view of the real world and its trials, Scott escaping into video game metaphor while Dixon being in the 1950s has to settle on making faces behind peoples’ backs and drinking copiously. By the end, though, Scott actually grows up more than Dixon, who lives up to the title’s promise and basically gets out unscathed. I thought that was interesting, that an angry young man back then was essentially allowed to run riot, whereas by now he has to change or die.

All in all, I enjoyed this book quite a bit. I will say though that it’s probably a “men’s” book, in that I don’t know how interesting a woman would find reading it. None of the women are important characters in their own right, and as mentioned above, the main romantic interest of the story is treated as spoils of war on one hand, and as an impossibly beautiful demi-goddess or something on the other. Still, if a sort of mean-spirited post graduation lark is something you’re interested in, it’s worth a try. Here’s a bit about a bus that I liked:

“As the traffic thickened slightly towards the town, the driver added to his hypertrophied caution a psychopathic devotion to the interests of other raod-users; the sight of anything between a removal-van and a junior bicycle halved his speed to four miles an hour and sent his hand, Dixon guessed, flapping in a slow-motion St Vitus’ dance of beckonings and wavings-on. Learners practised reversing across his path; gossiping knots of loungers parted leisurely at the touch of his reluctant bonnet; toddlers reeled to retrieve toys from under his just-revolving wheels.” (pp. 258)

Similar books on the Time 100 list: Anthony Powell’s Dance to the Music of Time series eventually wheels its way around to this point in English history, while the schoolboy reminiscences of Brideshead Revisited look at university life from a gentler (student) point of view. The sense of humor on display in Lucky Jim also reminded me of A Handful of Dust to a certain extent, but your mileage may vary on that one.

Total pages read since January 1st 2011: 15925 pp. (1466 this year)

Total books on the Time 100 list read: 55/113, or 49% complete.

Next up on the Resolution Project: TBA, I’m going on vacation soon, so I might read “fun” books while I’m there. Haven’t quite decided all that yet.

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The Resolution Project Season Two: Pale Fire (1962)

Musical Accompaniment: The White Stripes “Little Ghost” (“I’m Slowly Turning Into You” would also be a good one)

“I have no desire to twist and batter an unambiguous apparatus criticus into the monstrous semblance of a novel.” (pp. 86)

Pale Fire cover

The Resolution Project Season Two: For my New Year’s resolution last year (2011), I decided to try and read all one hundred of the novels picked by Time Magazine as the best since their inception in 1923 to the list’s publication in 2005. I got almost halfway through. I’ve decided to bull-headedly push on through and try and finish the challenge, continuing with the same caveat as before: I’ve exempted myself from reading books I’ve already read, leaving some eighty-six or so left to go. Some spoilers may lie ahead, so be warned if you’re the type to be bothered by that. It’s not really worth getting that angry about though.

The Elevator Pitch: Hoo boy, this’ll be a tough one. John Shade is a genial poet living in the town of New Wye, Appalachia, USA with his wife Sybil. Stay with me here. “Pale Fire” is a 999 line poem he’s written about the death of his daughter, various supernatural events that happen to him, and his general creative process. Pale Fire, the novel by Vladimir Nabokov, is composed primarily of the footnotes to this poem, which are assembled and edited by Professor Charles Kinbote, a recent emigré from the Baltic (?) country of Zembla, which has recently had its government overthrown by Communist revolutionaries known as the Extremist party. The story progresses as Kinbote annotates Shade’s poem, reading into its lines not only Shade’s history, but also the history of Charles the Blessed, the former King of Zembla, and his flight from the pro-Soviet interim government. The story of Gradus (aka. Jack Grey, aka. Vinogradus), an assassin dispatched by a group of Zemblan anti-royalists known as the Shadows to kill King Charles is also one of the threads in Nabokov’s tightly woven tapestry.

What I knew about this book, its subject and its author going in: What little I knew about Nabokov came from two sources. I knew that he was Thomas Pynchon’s teacher due to the fact that Pynchon is probably my favorite living writer and I’ve researched him for papers and the like. He’s also a fellow Time 100 list member, with both men pulling off an astounding two books on the list each. I think only them, Graham Greene, George Orwell, Virginia Woolf, Philip Roth and Saul Bellow have been accorded that honour? I guess if you count Anthony Powell’s twelve book cycle A Dance to the Music of Time they’re all chump change, but whatever. I also knew about Nabokov due to his Lolita having been filmed by Stanley Kubrick in 1962, which, coincidentally, is when Pale Fire came out. Of course, I haven’t seen Lolita, although I’d like to, and I probably will once I read it. So I was vaguely cognizant of Nabokov, and his contrbutions to mid-century postmodernism.

“If two secret agents belonging to rival factions meet in a battle of wits, and if one has none, the effect may be droll; it is dull if both are dolts. I defy anybody to find in the annals of plot and counterplot anything more inept and boring than the scene that occupies the rest of this conscientious note.” (pp. 177)

I really enjoyed this book. As I’ve noted before in my reviews of At Swim-Two-Birds and The French Lieutenant’s Woman, I’m fairly fond of books that screw around with the concepts of narrative and cohesion. Pale Fire is exemplary even in this group of modernist and postmodernist weirdness; it has an unreliable narrator, fanciful (most likely) tales of a kingdom in Europe that is now irrevocably altered, a would-be assassin bumbling his way towards his destiny in the United States and being derided all the while for it, and a fairly nice poem to top it all off. It reaffirms my suspicion that most commentators and critics would rather be able to create art, but instead are reduced to being able to read it really well. This would be in line with my own feelings on the matter. Bitter? No….

Speaking of the poem, I bought this book for my kindle and felt pretty stupid right afterwards. The kindle version that I got does not hyperlink from the poem directly to Kinbote’s annotations; rather you have to page through all the way to get to them, making it much less useful than say, a dead-tree copy. I was pretty mad about this at first, and pondered out loud on Twitter whether or not the poem part is actually that important in the long run. So I ended up just reading the footnotes first, and was pleased to find out that that’s a perfectly valid way of reading the book! Charles Kinbote even tells you as much in his Forward to the poem, but it’s totally true. Pale Fire is potentially the best example ever of reading too much into things. Kinbote wants the poem to reflect his lost kingdom so much that the slightest semblance of an allusion is used as a springboard into more Zemblan history lessons. It’s kind of hilarious to read the poem afterwards, as it can easily be read as a sort of modern-day Frost thing, having nothing to do with the intrigue and adventure the footnotes would have you believe it does. I’m assuming it would be equally as entertaining to read the footnotes afterwards, or read them concurrently with the poem.

Pale Fire is also a great chronicle of unrequited love. Kinbote is obviously nursing a huge crush on Shade, and his sexuality is referred to in veiled allusions throughout the footnotes as he is continually inviting guys over to play table tennis in his basement, and he is full of disdain for “mammates”, which I assume means people with mammary glands, ie. women. If you buy into Kinbote’s supposed secret identity, as well, there’s even more evidence to support a reading of Pale Fire as a predominately homosocial narrative.

I can really see where Thomas Pynchon got his inspirations from Nabokov. Gradus the assassin’s inexorable progress towards Kinbote and Shade reminded me a lot of Tchitcherine’s quest for the Schwartzcommando in Gravity’s Rainbow, as well as Herbert Stencil’s search for the mysterious “V”. Both authors assume the trappings of adventure fiction in service of a higher ideal; there’s such pulpy fodder as deposed monarchs, secret formulas and passages, codes, assassins, etc. in both oeuvres. I can see why I liked Nabokov so much in retrospect, although I’m sure it’s this stuff that I like that is most derided by the Soft Intelligentsia who thrive on things that are serious above all.

I picked The White Stripes’ “Little Ghost” up there as I feel it matches the illusory, dream-like feel of the novel. The narrator in the song is never quite sure as to whether or not his ghost paramour exists or not, and this matches the feelings I had with regards to Kinbote and the country he came from, Zembla. It might be real, it might not be, it doesn’t really matter, what matters is the journey. As much as I’d like to believe in robot troops from the U.S.S.R. supporting the rebellious Extremists, it seems fairly unlikely. I wouldn’t, however, enjoy an alternate history rundown of how a United States with the states of Appalachia and Utana came to be, nor the story how Zembla came to become a monarchy or something like that. I’m perfectly fine with the story being strange and illusory, I don’t need to know any more than I already do. Nabokov does such a great job of filling out his world with textual detail, even a full index, that I’m satisfied with what’s in the text.

While I still have this book on my kindle, I’d like to buy it in paper form as well, that’s how much I enjoyed it. I’m also looking forward to reading Nabokov’s other list entry Lolita far more than I was before due to the strength of this book.

“I trust the reader appreciates the strangeness of this, because he does not, there is no sense in writing poems, or notes to poems, or anything at all.” (pp. 207)

Similar books on the Time 100 list: As noted above, At Swim-Two-Birds also screws around with the idea of a novel in a satisfactory fashion, while The French Lieutenant’s Woman is as great a look at Victorian mores as Pale Fire is of Zemblan ones. Margaret Atwood’s The Blind Assassin also has a lot of fun with the concepts of “reality” and “fiction”, as well as pulpy adventure yarns. I would be remiss to also not mention the works of Thomas Pynchon, The Crying of Lot 49 would be the closest one in my opinion to this, more so than Gravity’s Rainbow.

Total pages read since January 1st 2011: 15660 pp. (1201 this year)

Total books on the Time 100 list read: 54/113, or 48% complete.

Next up on the Resolution Project: Invisible Man (1952), by Ralph Ellison (hopefully this time).

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The Resolution Project Book Forty-Four: Housekeeping (1981)

“Since my grandmother had a little income and owned her house outright. she always took some satisfaction in thinking ahead to the time when her simple private destiny would intersect with the great public processes of law and finance – that is, to the time of her death.” (p. 27)

The Resolution Project: For my New Year’s resolution this year (that being 2011), I decided to try and read all one hundred of the novels picked by Time Magazine as the best since their inception in 1923 to the list’s publication in 2005. I exempted myself from reading ones I’ve already read, leaving some eighty-six or so to read before the end of this year. Some spoilers may lie ahead, so be warned if you’re the type to be bothered by that.

Housekeeping cover

The Elevator Pitch: Ruth and Lucille are two children sent to live with their surviving relatives in Fingerbone, Idaho after the suicide of their mother. They end up first with their grandmother and then eventually their aunt Sylvie in their grandmother’s home, which rests on the side of the lake that claimed their grandfather and mother’s lives. The house eventually starts to be reclaimed by nature somewhat, which justifiably angers Lucille who wants to live more conventionally. Ruth, the book’s narrator, tends to side with her aunt Sylvie in this debate.

I really disliked this book, so I’m going to change up my review style a bit here, as I don’t have too much to say about it other than what it is not. I will say that if you for any reason decide to pick this one up and give it a try, this review will probably be even spoilerier than normal, so do us both a favour and read a different book. I recommend Brideshead Revisited.

Housekeeping is not a bildungsroman, even though it kind of looks like one: the bildungsroman is a literary genre that follows the upbringing and moral development of a young person over the years. The classic example is David Copperfield, which follows that character’s life as he goes out to seek his fortune and eventually reaches maturity. A lot of the books I’ve read so far on the Time 100 list could be thought of as having elements of the genre, like The Adventures of Augie March, A Clockwork Orange and The Confessions of Nat Turner. Where I feel that Housekeeping only sort of fits this criteria is that in the archetypal bildungsroman, the young person blunders through their early years and eventually becomes wise in the ways of the world, carving out a niche for themselves in the process; in Housekeeping, the main character Ruth learns that society is sort of bullshit, being a hobo of all things is awesome, and much more fulfilling than a “normal life”. She is entirely possessed by the spirit of her aunt Sylvie, who was herself a an itinerant until right before coming to the girls’ aid. The house in which they live, and the lake that surrounds it, both of these places weigh down so much on the characters that they give in and run away forever. I just couldn’t believe the book’s arguments as to why this would be a satisfactory idea.

CJ on a bike in GTA San Andreas

Tangent time! I’ve always wanted to write an article on how Grand Theft Auto San Andreas is the best bildungsroman of recent years. CJ’s character arc is a perfect example of how the genre works, and the game is one of the best of all time. Maybe once I finish reading all of these (supposedly) great works of literature I can give that a whirl. I just need to find enough time to play through it again…

Housekeeping is a terrible textbook on how to raise children: so Ruthie and Lucille are in kind of a spot at the beginning of the book, it’s true. Their mother has killed herself, taking a page from the Laura Chase playbook and crashing her car into the lake, the site of the train crash that also killed their grandfather. They get shuttled about from family member to family member, and eventually Sylvie is found from who the fuck knows where and drafted into service. She essentially lets the girls live as feral children for the most part, as she is far too busy wrestling with her own internal demons and her itchy hobo feet to take care of them properly. Housekeeping is that rare novel where the title eventually becomes antithetical to the action found within, as it eventually starts to resemble an episode of Hoarders (bonus fun joke for those of you who don’t follow me on twitter yet: Housekeeping is marginally less boring than the mundane task it’s named after, as well. *rimshot*).

Housekeeping is not a great novel: what it is, though, is an excellent tone poem. Robinson is an excellent stylist, if perhaps maybe a little too drawn to descriptions of local flora (a quality shared by another book on the list I really hated, Blood Meridian). She’s great at crystallizing little moments of the human experience for all to see. Here’s a few of them, they’re pretty self-explanatory.

“We walked the blocks from the lake to our grandmother’s house, jealous to the point of rage of those who were already accustomed to the light and the somnolent warmth of the houses we passed.” (p. 35)

(That’s as good of an articulation of the experience of walking home through a Canadian winter as I’ve ever heard.)

“Fingerbone was never an impressive town. It was chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere.” (p. 62)

“I simply let the darkness in the sky become coextensive with the darkness in my skull and bowels and bones. Everything that falls upon the eye is apparition, a sheet dropped over the world’s true workings.” (p.116)

“I do not think Sylvie was merely reticient. It is, as she said, difficult to describe someone, since memories are by their nature fragmented, isolated, and arbitrary as glimpses one has at night through lighted windows.” (p.53)

It’s this last quote that I feel sums up the novel as a whole. It’s difficult for Ruthie to impart to the reader why she decides to go down the path she does, and I never really felt the book itself gave her much of a chance. When I look at it now as a tone poem, though, I kind of get the point. You can’t really ever describe someone enough to make these things make sense, that would imply that you’re omniscient somehow. It reminds me now of The Heart of the Matter, where no one could understand why anyone else did anything, but with the added difficulty level of first-person narration sunk in the mix. I guess I’m a reader that usually enjoys a strong narrative than just beautiful writing and a few good jests.

Who would I recommend this book to?: People that really love old houses, and perversely to people who really hate old houses. People who worship the whole Walden thing. Wanna-be hoboes.

Total pages read since January 1st: 14459 pp.

Total books on the Time 100 list read: 51/113, or 45% complete.

Next up on the Resolution Project: Herzog, by Saul Bellow (1964)

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The Resolution Project Book Thirty-Four: The Golden Notebook (1962)

“The novel has become a function of the fragmented society, the fragmented consciousness. Human beings are so divided, are becoming more and more divided, and more subdivided in themselves, reflecting the world, that they reach out desperately, not knowing they do it, for information about other groups inside their own country, let alone groups in other countries. Inside this country, Britain, the middle-class have no knowledge of the lives of the working-people, and vice-versa; and reports and articles and novels are sold across the frontiers, are read as if savage tribes were being investigated.” (p. 75)

The Resolution Project: For my New Year’s resolution this year (that being 2011), I decided to try and read all one hundred of the novels picked by Time Magazine as the best since their inception in 1923 to the list’s publication in 2005. I exempted myself from reading ones I’ve already read, leaving some eighty-six or so to read before the end of this year. Some spoilers may lie ahead, so be warned if you’re the type to be bothered by that.

The Golden Notebook cover

Phew, was this book ever a doozy. I actually finished it a few days ago, but I’ve been mulling over what to say ever since. In the story that forms the backbone of the novel, “Free Women 1-5″, Anna Wulf is a writer in 1950s London who survives primarily off the proceeds of her first novel. She is divorced after a wartime marriage, and lives with her young daughter Janet. Her best friend and “fellow traveler” Molly is a big part of her life (they used to live together), as is Molly’s son Tommy, along with his captain of industry-type father Richard.

Anna Wulf is struggling with writer’s block after the great success that was her first book, Frontiers of War. What writing she does do these days is into four notebooks, which form the sections in between “Free Women” segments: Black, in which she examines her history (especially that of living in an African colony for the duration of the Second World War); Red, which details her involvement with the English Communist Party and her commitments to the Socialist cause in general;  Yellow, which is used as a creative space for short fiction, most of which is autobiographical; and Blue, which is her personal diary. The titular Golden Notebook represents Anna’s attempt to bring together of all the strands of her personality into a coherent whole, before time runs out.

As you probably gathered from my attempt at synopsis in the last paragraph, there is a lot going on in this book. It, along with At Swim-Two-Birds, the Thomas Pynchon selections and The French Lieutenant’s Woman must be among the most experimental works on the Time 100 list. Here the use of form is especially interesting. The way Anna tells us her story with the different notebooks is an amazing way of getting us to know her better, much more than you could do with a standard linear narrative without a much higher page count. While it does get a little confusing at times, especially with Anna’s habit of using different names for the same characters when they’re being “fictional” and “not fictional”, the end result is an excellent and robust character study of a woman teetering almost at the edge of madness. We are able to learn who Anna is, where she has been, what she believes in, and what she’d like to be, all of these things, orbiting around the straightforward narrative of “Free Women”. Even more interesting to me were the editorial tone of the brief asides introducing each section of a notebook, as it is very detached, telling us what was scratched out, pasted in, etc. It gives the book a sort of “found document” feel, like if her biographer or someone was going through her papers, or if Lessing herself is taking a hand in the story.

The Golden Notebook presents us with a world in which the institution of marriage is worth next to nothing. Pretty much every single man that Anna (or her fictional surrogate Ella) meets wants to cheat on his wife with her, almost as a matter of form. Anna’s own marriage, to a German expatriate with whom she hung out with in Africa during the war, was pretty much a marriage of convenience, dissolving almost as quickly as the political groups the pair find themselves participating in. While this marriage is only barely alluded to (the events that occurred before and after receive much more screen time), Anna’s daughter from the marriage is an incredibly important part of her life, indeed, probably the thing that keeps her close to stability. One of the many topics the novel examines is the idea that while a parent is taking care of a child, the child provides structure and meaning to the parent as well, and when the child is removed from the parent, madness is soon to follow, as it does when Anna’s daughter begins to crave the discipline and formality of a boarding school and ends up getting to go to one.

The political aspects revealed in the Red notebook were also quite interesting. Anna is a member of the English Communist party during the end of the Stalinist era in Russia, and much of the notebook is devoted to her and the Party itself having to reconcile their views against what they’d previously been told to believe by Party HQ. I only knew a little bit about this time in history, mostly after reading about the H.U.A.C. trials presided over by McCarthy in the U.S. at the time, for Film Studies and History courses, so it was extremely interesting to have a glimpse at what would have went down in the more permissive atmosphere of ’50s England during this shakedown period. Lessing also has a lot to say about the way some people use the sweeping rhetoric and ideals of radical political movements as a way to escape the futility of their everyday lives. It’s all very well and good to theorize about how you should go and fight in a revolution somewhere (as at the time the book takes place in, that seemed to be an option worth exploring), much less terrifying than staying home and having to accept the political realities there. This is referred to as “paralysis of the will”, as after the great upheavals of communism in Europe and Asia: ”Because everyone’s gotten used to the idea of countries changing completely in about three years … if they can’t see a complete change ahead, they can’t be bothered.” (p. 237) I thought this rang especially true.

There’s so much more in this book: the insights into the practice of psychiatry are fascinating, as well as how we deal with the subject of mental illness. Near the end of the book, Anna takes in a boarder (once her daughter leaves for school), an American writer who appears to suffer from multiple personality disorder. His affliction mirrors Anna’s need to separate and editorialize her life by use of the notebooks, and their brief affair is covered in amazing detail in the Blue notebook, which at this point descends into a miasma of shared misery and treachery (later, once we’ve returned to the “Free Women” section, the entire thing is blown through really quickly). I could go on and on. If you’ve got the stomach to attempt this book, I’d really recommend it. While it might seem a little off-putting early on, give it a chance, there’s a lot going on in this book.

The List:

1. The Adventures of Augie March

2. All the King’s Men

3. American Pastoral

4. An American Tragedy

5. Animal Farm (read before 2011)

6. Appointment in Samarra

7. Are You There God? It’s Me, Margaret

8. The Assistant

9. At Swim-Two-Birds

10. Atonement (read before 2011)

11. Beloved

12. The Berlin Stories

13. The Big Sleep (read before 2011)

14. The Blind Assassin

15. Blood Meridian

16. Brideshead Revisited

17. The Bridge of San Luis Rey

18. Call It Sleep

19. Catch-22 (read before 2011)

20. The Catcher in the Rye (read before 2011)

21. A Clockwork Orange

22. The Confessions of Nat Turner

23. The Corrections

24. The Crying of Lot 49 (read before 2011)

25. A Dance to the Music of Time (1st Movement)

26. The Day of the Locust

27. Death Comes for the Archbishop

28. A Death in the Family

29. The Death of the Heart

30. Deliverance

31. Dog Soldiers

32. Falconer

33. The French Lieutenant’s Woman

34. The Golden Notebook

Total pages read since January 1st: 8259 pp.

Next up on the Resolution Project: Anthony Powell’s A Dance to the Music of Time (1st Movement) (1951)

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The Resolution Project Book Eight: The Assistant (1957)

“He felt, in places in the book, even when it excited him, as if his face had been shoved into dirty water in the gutter; in other places, as if he had been on a drunk for a month.” Frank Alpine, on reading Dostoevsky’s Crime and Punishment (pp. 107)

The Assistant cover

The Assistant, by Bernard Malamud

Another book that was somewhat difficult for me to get through, much like Book Three on the list (American Pastoral) but not for the griminess and malaise that book was permeated with. The Assistant is, to put it lightly, a little slow. Morris Bober is a Jewish immigrant to the United States who owns a failing grocery store. One night, his store gets robbed out of its meager takings by a pair of masked “holdupniks” and Morris is injured during the fracas. Soon after, a young drifter named Frank Alpine shows up on Morris’ doorstep looking for work, and Morris takes him on during his recuperation period. While working together, the grocer and his assistant come to know more about each other than they’d care to, and the mystery of who robbed the store is also brought to light.

I think the main problem I had with reading this book was the writing style. Jonathan Rosen, in his introduction, states that the book reads like a short story extended to novel size, and that felt exactly right to me, but I’m assuming here that he most likely meant that as a compliment. I on the other hand could have done without many, many bloated passages detailing just how fucked Morris’ grocery store was, its main rivals in the area, his relationship with the building owner, etc. It felt very much like the last act of a film about this guy’s failing existence, with misery upon misery piled upon him, and I wasn’t really sure if the author wanted me to root for the guy or not. Turns out, I didn’t, and basically couldn’t wait for the guy to get robbed and for some actual drama to start occurring. It’s like Malamud was so in love with showing how bad it was to be a Jewish immigrant at this time in history that he forgot to write the actual book, but whatever. I just wish I’d known it was going to be a tone poem about despair going in is all.

I found the book’s other big character, Frank Alpine, much more interesting. He too, is cut from the same mold as Morris, a perennial failure for whom everything he touches turns into liquid shit, but at least he tries new things. “The robbing people thing doesn’t really work out, maybe I’ll try working retail”, that sort of thing. A little motivation for a character goes a long way for me, as opposed to Morris’ desperation incarnate .You could say the same thing about Augie March, for instance; he too keeps bouncing from job to job, but most importantly he never stagnates (in his professional life anyway, his love life was another matter entirely).

I did learn a bit about Jewish culture, and how some choose to internalize their faith rather than sharing it with others. The conversations between Morris and his wife Ida, though, grew somewhat tedious to me due to Malamud’s insistence on capturing the unique cadence and grammar of the speaker of English as a second language. Their constant referrals to the “Italyener” and the “Poilisheh” distracted me rather than pulling me into the immigrant frame of mind. Also, the less said about the ending the better; yes, I did notice that Morris and Alpine were becoming closer and closer to being the same person, but rather than dwelling on that fact, some closure about the other characters in the book would have been nice.

“Afterward he felt downhearted; every sight lost to a guy who lived with his eyes was lost for all time.” (pp. 63)

The List

1. The Adventures of Augie March

2. All the King’s Men

3. American Pastoral

4. An American Tragedy

5. Animal Farm (read before 2011)

6. Appointment in Samarra

7. Are You There God? It’s Me, Margaret

8. The Assistant

9. At Swim-Two-Birds

10. Atonement (read before 2011)

Total Pages read: 2163 pp

Next up on the Resolution Project: Toni Morrison’s Beloved (1987)

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