Tag Archives: Scott Pilgrim vs. The World

The Resolution Project Season Two: Lucky Jim (1954)

“Dixon felt that, on the contrary, he had a good idea of what his article was worth from several points of view. From one of these, the thing’s worth could be expressed in one short hyphenated indecency; from another, it was worth the amount of frenzied fact-grubbing and fanatical boredom that had gone into it; from yet another, it was worthy of its aim, the removal of the ‘bad impression’ he’d so far made in the college and in his Department.” (pp. 10)

Lucky Jim cover

The Resolution Project Season Two: For my New Year’s resolution last year (2011), I decided to try and read all one hundred of the novels picked by Time Magazine as the best since their inception in 1923 to the list’s publication in 2005. I got almost halfway through. I’ve decided to bull-headedly push on through and try and finish the challenge, continuing with the same caveat as before: I’ve exempted myself from reading books I’ve already read, leaving some eighty-six or so left to go. Some spoilers may lie ahead, so be warned if you’re the type to be bothered by that. It’s not really worth getting that angry about though.

The Elevator Pitch: Jim Dixon is a young lecturer on the subject of Medieval History at a small college somewhere in the English Midlands. He’s not the best at his job, but keep in mind he also has to deal with a pedantic supervisor, students who are either sycophants or completely disinterested, a woman who engages in emotional terrorism against him and the creeping suspicion that he’s squandered his whole life away. When his supervisor’s artiste-wannabe son comes to town with his girlfriend in tow, Dixon finds himself rebelling against him and the social order of the school, as well as all the assholes that inhabit it.

What I knew about this book, its subject and its author going in: Next to nothing. I’d heard it was pretty funny, and was pleased to find out this was the case. I also had a dim memory in my mind that Kingsley Amis was related to Martin Amis.

Thoughts: Sorry again about not posting very much lately. I could continue to trot out the excuses of work and life being busy, which continue to be the case, but the real culprit here is actually a woman named Christina Stead. To my infinite misfortune, the public library in my home town was not able to get Invisible Man to me when I needed it, and I was forced to grab the next book available on my holds list, Stead’s The Man Who Loved Children. Let me tell you, this book is a slog. It is incredibly dull, lethally written and the name on the cover gets you strange looks if you read it in public places. By the point I’ve reached so far (around 100 pages in, or 1/5 of the way through), I definitely wish that it was indeed about a child molestor, as that would actually constitute a story worth maintaining any interest in whatsoever, as opposed to the warmed-over After School Special piece of crap that it actually is.

Lev Grossman and I

As I noted before in my vacation-shortened review of The Great Gatsby, Lev Grossman, half of the team who chose the books on the Time 100 list, specifically told me that he would never read this book again if he had his druthers. I’m beginning to understand why.

Anyway, I ended up ditching Stead’s crap opus as soon as my library came through on another hold. Lucky Jim was that book, and I ended up really enjoying it in the end. I’m going to space out reading The Man Who Loved Children between other, more palatable volumes, because I am one stubborn son of a bitch who’s not going to let a terrible author like CHRISTINA STEAD beat me. Bore me silly? Yes. But win? Not on your fucking life. She doesn’t deserve the pleasure. If I can make it through Blood Meridian, Infinite Jest and Gravity’s Rainbow relatively unscathed, no inexplicably lauded piece of crap like Children is going to stop me.

Lucky Jim reminded me of my student days, and reminded me that I probably wouldn’t have enjoyed continuing on to grad school quite as much as I feel I would have sometimes. Say what you will about my current employment at the comic shop, it rarely sends me into paroxysms of doubt and self-loathing the way having to deal with academics and their individual peccadilloes would have most likely done. Dixon’s dread at delivering a lecture on “Merrie England” brought me back to things I had to do back then that I absolutely hated, like learn a language, or go to my Early Modern English History class, an interesting subject which was ruined by a prof who had an incredibly irritating way of speaking and gave us twice as many papers to write than he had any right to.

Kingsley Amis does a great job of getting you into Dixon’s head, possibly to a fault. We really understand him and his struggles, but learn less about his contemporaries. They’re not super important in the grand scheme of things though. What is important is Amis’ spot on descriptions of being apocalpytically, impossibly drunk, and the aftermath thereof:

“His face was heavy, as if little bags of sand had been painlessly sewn into various parts of it, dragging the features away from the bones, if he still had bones in his face. Suddenly feeling worse, he heaved a shuddering sigh. Someone seemed to have leapt nimbly up behind him and encased him in a kind of diving-suit made of invisible cotton-wool. He gave a quiet groan; he didn’t want to feel any worse than this.” (pp. 58)

I also really liked how Amis phrased Dixon’s competition with his supervisor’s son for the girl as a sort of war. Jim, being a not super attractive man with little in the way of finances or social standing, would essentially have gotten used to fighting tooth and nail for anything he could get, and a war of attrition for a woman’s love seems perfectly in character, and very flavorful.

Scott Pilgrim leveling up

Dixon by the end of it really reminded me of a literary hero from my own homeland, that man being of course Scott Pilgrim. Both are young guys who are in desperate need of a little growing up; both have a disconnected view of the real world and its trials, Scott escaping into video game metaphor while Dixon being in the 1950s has to settle on making faces behind peoples’ backs and drinking copiously. By the end, though, Scott actually grows up more than Dixon, who lives up to the title’s promise and basically gets out unscathed. I thought that was interesting, that an angry young man back then was essentially allowed to run riot, whereas by now he has to change or die.

All in all, I enjoyed this book quite a bit. I will say though that it’s probably a “men’s” book, in that I don’t know how interesting a woman would find reading it. None of the women are important characters in their own right, and as mentioned above, the main romantic interest of the story is treated as spoils of war on one hand, and as an impossibly beautiful demi-goddess or something on the other. Still, if a sort of mean-spirited post graduation lark is something you’re interested in, it’s worth a try. Here’s a bit about a bus that I liked:

“As the traffic thickened slightly towards the town, the driver added to his hypertrophied caution a psychopathic devotion to the interests of other raod-users; the sight of anything between a removal-van and a junior bicycle halved his speed to four miles an hour and sent his hand, Dixon guessed, flapping in a slow-motion St Vitus’ dance of beckonings and wavings-on. Learners practised reversing across his path; gossiping knots of loungers parted leisurely at the touch of his reluctant bonnet; toddlers reeled to retrieve toys from under his just-revolving wheels.” (pp. 258)

Similar books on the Time 100 list: Anthony Powell’s Dance to the Music of Time series eventually wheels its way around to this point in English history, while the schoolboy reminiscences of Brideshead Revisited look at university life from a gentler (student) point of view. The sense of humor on display in Lucky Jim also reminded me of A Handful of Dust to a certain extent, but your mileage may vary on that one.

Total pages read since January 1st 2011: 15925 pp. (1466 this year)

Total books on the Time 100 list read: 55/113, or 49% complete.

Next up on the Resolution Project: TBA, I’m going on vacation soon, so I might read “fun” books while I’m there. Haven’t quite decided all that yet.

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The Faceless Issue One

Oh yeah, blog posting.

So here’s a little piece I worked up for a comic collaboration that never really came together. I still think it’s pretty cool, maybe you guys will too?

Page One

Panel One

Big wide shot from the top left hand corner of a large warehouse. On the ground are arranged thirty or so jump-suited henchmen arranged before a makeshift stage, their backs facing the camera. Various pieces of industrial crap from the facility’s former use are pushed to the sides of the room. On the stage is a more elaborately-garbed member of the same paramilitary organization, whose uniforms look sort of like H.Y.D.R.A. They are the A.S.L. (Anti-Science League). Make sure that in the ranks of men, the last rank is just two guys. However, the main focus of this panel is to show a cloaked figure waiting in the rafters. He’s couched in shadow, but we can tell he’s listening in to the ranting on stage. It is thundering and lighting going on outside.

CAPTION (BLUE): The near future, your hometown.

GRAND COMMISSSAR (the guy on stage): What has this “super-science” ever done for us, the working-men? What great advancements have lasers, and robots, and uber-viruses ever brought to the proletariat…

Panel Two

Close shot tilted upwards of the two men in the back rank. On the left is our hero, the eponymous “Faceless”, in reality Kevin Richter, 25. He’s talking to some other mook during the speech. It is important to note that the A.S.L. uniform completely covers the head, and like Spider-Man or Deadpool, has large expressive “eyes” drawn on it so that we can identify with the guy. Maybe the guy in the rafters has white eyes like Batman that will mark him out of the shadows? We can sort of see him looming around up there, as the camera is pointing over and through the shoulders of the two men.

1. FACELESS (whisper): So, what’s the name of this outfit again?

2. OTHER GUY (whisper): The Anti-Science League. The Grand Commissar started it up to wage war on those who would tamper in God’s domain.

3. FACELESS (whisper): A.S.L., huh? Isn’t that the name of …

Panel Three

Close shot, this time looking through FACELESS and the other guy’s shoulders to a skinny little dweeb up front. You can see a bunch more guys’ backs behind him, as he’s turned around to face the duo.

4. DWEEB (jagged “yelling” balloon): SHHHHHHH!!!

Panel Four

Extreme close up on FACELESS. His mask-eyes react like when Spider-Man gets surprised.

5. FACELESS: Whoa, man, calm down! I was just reflecting on how A.S.L. is usually better known as the acronym for American Sign Language, but Anti-Science League is cool, too…

6. DWEEB, pointer on bubble coming from outside panel: SHHH! SHHH!! SH*

Page Two

Panel One

No panel border. Medium shot of DWEEB as he’s hit by an energy blast. He’s still frozen in the “finger in front of face” SHHH position, but he’s been shot in the back with some sort of laser. Green or orange plasma-fire burns outwards from his spine, making him into a glowing skeleton.

SFX: G-ZORP!

1. DWEEB: GYAAAAAH!!!

Panel Two

Full-body shot of the GRAND COMMISSAR holding a smoking laser-pistol in one hand and a stand-up microphone in the other. The barrel’s pointing right at us, the reader.

2. GRAND COMMISSAR: If there are no further objections, I’d like to continue with my speech, considering that I AM STILL YOUR LORD AND RULER!

3. MYSTERIOUS MAN (bubble coming from offscreen, up high and at the back): I have an objection.

Panel Three

We pull back to see Thomas Landry, aka ROCKETMAN, framed against a large window as lightning splits the sky outside (widescreen panel). ROCKETMAN is dressed in what appears to be a WW-II era GI uniform, although he’s wearing a cone on his head that makes him look like a rocket. He’s got a rocket pack on his back, like the Rocketeer, and a cape, which looks suspiciously like a towel. It has a rocket on the back, what can I say, the guy like rockets. He looks a little insane, which is to say about as much as the GRAND COMMISSAR down below.

4. ROCKETMAN, shouting: I object to your derision of the one thing that sets us apart from the apes, SCIENCE!! Go, my RAKETENMENSCHEN!

Panel Four

Same setup as the last panel, but now various RAKETENMENSCHEN have busted through the windows that ring the top part of the facility. They have similar garb to ROCKETMAN, but less ornate. They do have rocket gloves (literally: a big rocket strapped to each glove, for fighting and propulsion), which they have used to fly through the windows and aim themselves at the crowd below.

SFX: CRASH! CRASH! CRASH! (that’s the windows going as they bust through)

Panel Five

POV shot through the eyes of one of the RAKETENMENSCHEN. He’s got his hands in front of him like Superman, and he’s flying right at FACELESS, who is losing his shit (Spidey-eyes, general losing-one’s-shit type posture).

5. FACELESS: Nononononono

Page Three

Panel One

Huge, like half page panel of FACELESS getting impacted by the RAKETENMENCH’s fists. Mask definitely gets ripped, maybe one of the eyepieces breaks off? Teeth, blood, spit go flying from the rocket punch. FACELESS is knocked off his feet. The RAKETENMENSCH has a big shit-eating grin on his face. He lives for this shit.

SFX: SKRITUNCH!

1. FACELESS: OOF!

Panel Two

The RAKETENMENSCH has landed neatly on the ground as FACELESS goes flying. The camera is pointed through his legs as he lands, you can see FACELESS thrown backwards. All around the two men has begun a ridiculous melee. You can see the GRAND COMMISSAR and ROCKETMAN duking it out on stage, ROCKETMAN holding the COMMISSAR’s gun hand up in the air and lasers arc into the ceiling.

Panel Three

Low shot as we see FACELESS trying to pick himself up off the ground as the RAKETENMENSCH walks forwards calmly.

2. FACELESS: Guh, uh I-I I don’t agree with the ideological position these guys have taken! I just needed the money!

Panel Four

No panel borders. The RAKETENMENSCH has arrived just as FACELESS has gotten up off the ground. He rushes in with a devastating rocket-uppercut (the jet helps him punch, you see).

SFX: FRIPTOOSH!

Panel Five

Medium shot, mostly of FACELESS’ mostly-uncovered face now, as he is launched into the air, a trail of teeth falling in the air behind him. Hopefully he’s headed towards a window…

CAPTION (RED): This is where I used to work.

3. FACELESS: GYAAAAAAH!

Page Four

Panel One

Establishing shot of a seedy-looking bar built into the bottom of a large building (think the Oil City Roadhouse). There’s a large red neon sign above the door that says SLOTHROP’S, and a wide variety of costumed weirdoes smoking/milling around out front.

CAPTION: Two hours earlier, I was out on the town.

1. FACELESS, word bubble pointer is sneaking out through the door of the bar: Yeah, I was in all of them…

Panel Two

FACELESS, his uniform mussed up (shirt untucked, hood pulled off of face) is sitting at the bar talking to a girl in an extremely revealing henchwoman costume. I’m thinking something like Dr. Mrs. The Monarch’s from Venture Bros., but maybe more dominatrixy? She’s got her head propped up on her fist, she’s super bored by what he’s saying, but too polite as of yet to say anything. Maybe she’s waiting for somebody. The camera is perpendicular to the bar, so you can see the bartender milling around behind. His clothes are vaguely reminiscent of a RAKETENMENSCH…

2. FACELESS: Teenage Vengeance Brigade, T.H.R.E.A.T., The Bohr Underground…

3. GIRL: Uh huh.

Panel Three

Low shot, we can see the GIRL’s legs and the bottom of the barstool. It’s great. FACELESS is looking kind of wistful now, swirling his finger around the rim of the glass.

4. FACELESS: You name ‘em, I’ve been in it. I’m kind of a vet in the villainous organization game now.

5. GIRL: Oh, yeah?

6. FACELESS: I’ve got a gig with a sweet new crew coming up tonight, but maybe afterwards you want to…

Panel Four

Now we’re looking over the bar from the bartender’s perspective. A well-dressed hipster douchebag has sidled up between FACELESS and the GIRL. His hipster clothes are a uniform, too.

7. HIPSTER DOUCHEBAG: I’m going to talk to this girl now, hasbeen.

Panel Five

No panel border. The words ORIN SMYTHE, AGENT of H.I.P.S.T.E.R. appear over the DOUCHEBAG’s head in a sweet-looking logo, kind of Nick Fury-ish. This panel is all white, with no background and offers a full view of what a high-up member of a hipster-run evil organization would look like, namely an ironic t-shirt saying H.I.P.S.T.E.R. in Helvetica font, man bag over shoulder, Ray-Ban sunglasses, holstered sidearm. Everything looks expensive and sweet.

CAPTION (Red): Great, one of these assholes.

EDITOR’S NOTE: H.I.P.S.T.E.R. = High Influence Paramilitary Spec-ops, Terrorism, Extortion and Radness!

Panel Six

ORIN has moved to lean in between FACELESS and the GIRL on the bar. We can see only the back of her head. FACELESS is kind of looking over the guy’s head (he’s fairly short) and looks really angry.

8. FACELESS: Why, you little…

9. ORIN: I wouldn’t believe what he tells you about his career, either. The only organization that’ll take him is named L.O.S.E.R…

A lot of the themes will be readily apparent to you if you’ve been reading along with The Resolution Project. The idea’s basically that a loveable everyman has been working in the henchman game for a while and kind of wants to get out. My concept for how this strange world of lo-fi costumed assholes fighting each other came about after reading Philip Roth’s American Pastoral, which had one of its characters join something akin to the Weather Underground as a way of getting back at her dad.

My thought process was what if a modern day movement, something akin to Occupy, radicalized in the same way that S.D.S. (Students for a Democratic Society) did in 1968-69? The violent breakup of S.D.S. resulted in numerous underground terrorist groups, the Weatherman being the most famous, so what if that happened again, but in a comic-bookier way? By that token, what if 4chan decided to become real life supervillains? What if Anon stopped being Professor X, and became Magneto? What if hipsters moved on to the next big thing, which was dressing up and kicking the shit out of one another?

The story would take place about 10 years after this societal change, and would feature numerous allusions to 20th Century literature, as no doubt you’ve seen the incredibly obvious influence of Gravity’s Rainbow in the piece above, and that’s just how I roll. As for comics influence, there’s definitely some Scott Pilgrim, some of JH Williams III’s Chase, maybe a little bit of Kick-Ass? I don’t know, I thought it might have been a fun project, but alas. Perhaps a legit comic creator will like a kernel of the idea and run with it? Tell me what you think. I still think the idea of rocket-fists is hilarious.

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Graphic Content Gets Interviewed … Again!

Graphic Content Scott Pilgrim poster

Leading up to our presentation of Scott Pilgrim vs. The World this Valentine’s Day at Metro Cinema at the Garneau, Lady E and I were guests on a local comics podcast. It’s the audio spinoff of Comics! The Blog, which would then obviously have to be named Podcast! The Comics. We talked about how the Graphic Content project came about, movies, comics and more! Check it out!

Podcast the Comics logo

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Sitting in the Dark With Strangers 2010: Part Four

At long(ish) last, the top 10 movies I saw in 2010! WARNING SPOILERS.

Hausu poster

10. Hausu (House) (saw at the Metro): This is probably the most obscure movie I saw this year, but I would recommend it to you instantly. If you’ve ever wondered why Japanese horror films like Tokyo Gore Police or The Machine Girl are so weird, I’d list off Hausu as potentially a cult classic/forerunner for that sort of genre. While it isn’t as, well, gory, as its successors, I found that Hausu had a similar approach to body horror to them, a sort of familiarity, I suppose, with dismemberment and the contorted human body. Add this to the fact that it’s completely meta and weird and kind of soap-opera-y and what you have is something definitely worth seeing.

Mother poster

9. Mother (saw at the Metro): Here’s another fantastic Asian import that takes a few genres and blends them into a creamy whole, this time combining domestic melodrama, crime and comedy. I have not seen The Host, director Joon-ho Bong’s take on the giant monster movie, but I would like to sometime in the future if it’s anywhere near as good as this old lady mystery.

Hot Tub Time Machine poster

8. Hot Tub Time Machine (saw for free from work): The farther I go up this list, the harder it is for me to think of justifications for why I liked movies, but this one might need a little bit. This was probably the funniest movie I saw all year; a year that, looking back, seemed to be all about drama, horror, action and movies about sad old men reliving their glory days (that would be The Expendables, if you’re keeping track). Why did I like this one better than, say Get Him to the Greek? Well, I felt this one was a lot less meandering and self-aware. I also really enjoyed the bit parts played by Chevy Chase and especially Crispin Glover. Plus it had at least one naked girl in it, which definitely bumps it up a notch.

Shutter Island imdb

7. Shutter Island (rented, but it still came out in 2010 so whatever): You know who had a good year? Leonardo DiCaprio. I was somewhat reticent to go see this one when it came out in theatres (which is stupid, I know, not least for the fact that I’ve really enjoyed every Scorsese movie I’ve ever seen), so I rented it from the Movie Studio. I think I was put off by the trailers, come to think of it, which to me marketed the film as having a very easy to solve mystery. Don’t get me wrong, I enjoy mysteries, but they have to be pretty well put together for me to not just sit there and pick them apart (I’m also more of a fan of the Raymond Chandler school of mystery solving, i.e. just shaking people down for clues). This movie, however, was all about the ride, the ending was more of a foregone conclusion. It’s like watching Penn and Teller dissect a magic trick on stage, briefly letting you behind the veil; and instead of attempting to puzzle you narratively, letting you revel in the way the trick is put together.

Black Swan poster

6. Black Swan (paid to see): Do yourself a favor, go see this if you haven’t. Lots of other people online will expound upon how good this movie is, but I will say this: I felt like I learned more about ballet, and more than that, I really cared about it. Also, if that didn’t convince you, this is also the scariest movie of the entire year. Believe it.

True Grit poster

5. True Grit (paid to see): A better display of badassery you will not get in this decade. And, what a striking and cool-looking poster as well, although the best actor in the movie’s not on there. No, not the guy in the bear suit, it’s Hailee Steinfeld, but I’m sure she will have many years of headlining films to look forward to in her future. (I’m really running out of stuff to say on the really good movies here, aren’t I?)

4. The Social Network (saw for free from work): You all know this movie’s the tits, so let’s talk about security at pre-screenings instead. Usually, it’s not too bad, for example at MacGruber, I was afraid they were going to search E’s bag (and find the booze hidden within), but we got there a little late and no one cared. It was great, the lack of security, I mean. The movie itself was utter garbage. They also occasionally watch the crowd with an infrared camcorder to see if anyone is trying to make a movie of their own during the screening. Again, this too happened at MacGruber, so I was a little paranoid about pouring schnapps into my comically large movie cup, but again they didn’t care because come on. MacGruber. Anyway, there is a point to this story, and it concerns the screening of The Social Network. At this screening, instead of just telling us to turn our phones off, they made us check anything electronic at the door, wrapping phones and cameras up in brown paper bags. It was kind of ridiculous, but possibly prudent in regards to this tech-heavy film. I think maybe the studio was really worried about social networks picking up negative early reviews on the “facebook movie.” Thus ends today’s “First World Problems” segment.

Toy Story 3 imdb

3. Toy Story 3: (saw twice, in two countries, paid each time): If Pixar is ever to win a Best Picture, it’ll probably be for this one, even though I feel that the award would be more for Wall-E. The same thing happened with Scorsese’s The Departed winning when it really should have been The Aviator. There’s scenes in this film that still haunt me, and for your information, yeah, I cried a little, fuck you. The part in the incinerator, where the toys accept their fate, that shit would be unthinkably dark in a live-action film, much less something ostensibly designed for children. I’m reading Robert Penn Warren’s All the King’s Men right now (for the Resolution Project), and while I know the Southern Demagogue Willie Stark in the novel is supposed to evoke Huey “The Kingfish” Long, in my mind at least, he speaks in the sweet dulcet tones of Ned Beatty, aka Lotso Huggin’ Bear. Not too sure what that says about me, but whatever. Toy Story 3 is one of the most sophisticated entertainments (and biggest heartbreakers) you could inflict on your friends and family in 2010.

Scott Pilgrim vs. The World poster

2. Scott Pilgrim vs. the World (saw for free, then paid to see again): I was really torn between this film and the number one on this list. I eventually stuck it at number 2 due to the fact that I knew this movie was going to be great, whereas the number one was more of a crapshoot. If you were one of the (obviously) many who chose to skip this one because of some sort of “anti-hipster” d-bag bias, you definitely missed out, and will probably tell your kids you saw it on opening night once you realize your mistake. Actually, I do have a theory about this, I think this is definitely a young people’s movie and it’s actually that what scared people away. The depth of allusion and metaphor in Scott Pilgrim would definitely prove challenging if you didn’t have the requisite background at Bruise-Thumb Academy, I suppose.

Inception poster

1. Inception (paid to see twice, in two different countries): In retrospect, this one had to be number one. It was, as Film-Crit Hulk says, a real game-changer.

And that’s all for this year, everyone! I’ll be back soon with some data I’ve accrued from my lists over the years, though, and we’ll have a Resolution Project post done soon and also perhaps some D&D stuff too. Seeya!

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